So few people know and appreciate Bach's Cantatas, the 200 or so of which constitute one of the greatest treasure troves of western music. I am particularly fond of many of the arias for the soprano and alto voice, and none so embodies the depth and beauty of Bach's vocal/ensemble writing as this aria from Cantata 199, "Tief gebuckt und voller Reue".
I can't get enough of this performance of it by the outstanding Czech mezzo-soprano, Magdalena Kozena. I wish I could find the words to describe the feeling it conveys: resignation-cum-compassion-cum-joy? It's all there somehow in the main motif, the A-F#-E-D-D cadence.
To quote (as a composite) comments from reviewers:
"But the real surprise was Gardiner and Magdalena Kožená...Good lord, what a lot of feeling she pours into the singing! ...Gardiner..doesn't rush this aria--or she doesn't LET him rush. It's slow and gorgeous..., since there's no vibrato to artificially thicken the texture. It's like pure sunlight cascading through stained-glass. I can imagine Kožená gesturing with her hands as she sings --so much emphasis does she put into particular words, it's heartrending. I have never heard Gardiner accompany an aria with more sensitivity...for once he laid aside his very British stiff upper lip, and wore his heart on his sleeve. I have never, ever heard Gardiner play like this. It was a shock, and a delightful surprise..."
Please play this as loudly as your neighbours can tolerate, to get the full quality of her vibrant and pure voice, and the warmth of the ensemble playing. Please also pay particular attention to the arc from 4:12 to 5:33. Brings tears to my eyes every time, as indeed do many subsequent moments...and it's nothing to do with religion, despite the church setting.
The whole cantata is wonderful; ask me even a little bit nicely, and I'll make more if not all of it available.....
